Coop Himmelb(l)au－丹麥?爾堡音樂廳　House of Music in Aalbo

By 欣建築2014/08/14

編譯／蘇琨峰　圖文／Coop Himmelb(l)au
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奧地利建築事務所藍天組（Coop Himmelb(l)au）巧妙地將多功能性的?爾堡音樂廳（House of Music in Aalborg）與學校音樂學院融合為一，其開放式的結構提供了觀眾、藝術家、老師與學生們更多交流的場所。如同藍天組設計總監及負責人Wolf D. Prix所說：「?爾堡音樂廳設計的想法讓人從外立面便可一眼明瞭，並將音樂廳包含在學校內。」
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位於丹麥北部港口城市奧爾堡的?爾堡音樂廳既是一座文化建築也是一座教育設施，排練室與訓練教室呈U字型分佈在音樂廳四周，中央為可容納1,300人的音樂廳。寬廣的大廳不但是交流場所也串連起周圍空間，大廳中幾層樓高的玻璃區鄰接著文化活動區並可一覽峽灣風光，並包含著三個不同大小空間的房間－私人房、節奏房及古典房。觀眾及學生可從大廳及練習室中透過多層觀景窗一覽音樂會表演及采排。
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內部音樂廳是其特色之一，流線性的造型與條線嚴謹、立方體的建築外觀成了強烈對比。座椅區的特別排列及曲線狀的陽台則創造出最佳的音響及視野效果，並在藍天組與Arup工程公司的Tateo Nakajima合作下設計出一套複雜的音響系統。牆上不規則狀的塑膠結構及可調整高度的天花板則是經過仔細計算而出的結果，確保觀眾能享有最佳的音響效果體驗，且?爾堡音樂廳也被稱為是歐洲噪音級別最小的音樂廳之一。在這麼高的建築與聲響系統品質下，使得音樂廳總是成為搶手的表演場地，活動日程常被預定一空。
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音樂廳大廳提供了一處供學生、藝術家、教師及遊客休憩及聚集的場所，五層樓高度的大廳內階梯盤旋穿梭，有著大型觀景窗的陽台可一覽峽灣美景。大廳如同是個動態十足的空間，隨時可變化成舉行各類活動的場所。在Prix的心中，?爾堡音樂廳就像是音樂與建築的聯合象徵；如果說音樂籍由合弦而表現，那麼音樂廳就如同是樂器一般，產生出與創意的共震。
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說到音樂廳在節能的設計上，在不使用風扇的情況下，利用大廳垂直的高度來進行自然通風熱交換，混凝土地板下的水管用來做為溫度系統調節使用，而四周的混凝土牆成了儲存熱能的量體，一旁的峽灣則提供了天然的冷卻環境，同時在這些規劃上配合著高效率的熱能交換系統。更貼心的是，在表演廳的座椅下還配置著低速空氣流動的高效率散熱系統。在天花板的照明系統上方設置了抽風系統以降低因上昇熱空氣所導致上昇的室內溫度；而建築內的中央控制系統則確保各設備在不需使用時不被啟動，以減少不必要的能源消耗。
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【延伸閱讀】
Coop Himmelb(l)au事務所
http://www.coop-himmelblau.at/

更多建築旅遊資訊，請上【建築行腳】專輯
http://www.xinmedia.com/n/featurestory_list.aspx?collectionid=111

更多國外建築脈動請上【國際脈動】
https://solomo.xinmedia.com/archi/news/International

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Profile

蘇琨峰／Andre

一隻喜愛新事物也對舊事物固執的牡羊。台北工專土木工程科、雲林科技大學營建工程結構組畢業，工作後決定離職前往澳洲再度充實自己並一圓留學夢，畢業於墨爾本大學經濟與商業研究所，主修商業與資訊管理。喜歡看建築、旅行探索、研究攝影、愛打網球、沉溺爵士樂當了爵士樂團薩克斯風手。目前為《欣建築／國際脈動》編譯、文字記者、辦理欣建築相關活動及國際領隊。
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House of Music as a creative center for Aalborg
The multifunctional complex combines school and concert hall
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The "House of Music" in Aalborg, Denmark, was designed by the Viennese architectural studio Coop Himmelb(l)au as a combined school and concert hall: its open structure promotes the exchange between the audience and artists, and the students and teachers. "The idea behind the building can already be read from the outer shape. The school embraces the concert hall," explained Wolf D. Prix, design principal and CEO of Coop Himmelb(l)au.
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U-shaped rehearsal and training rooms are arranged around the core of the ensemble, a concert hall for about 1,300 visitors. A generous foyer connects these spaces and opens out with a multi-storey window area onto an adjacent cultural space and a fjord. Under the foyer, three more rooms of various sizes complement the space: the intimate hall, the rhythmic hall, and the classic hall. Through multiple observation windows, students and visitors can look into the concert hall from the foyer and the practice rooms and experience the musical events, including concerts and rehearsals.
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The concert hall
The flowing shapes and curves of the auditorium inside stand in contrast to the strict, cubic outer shape. The seats in the orchestra and curved balconies are arranged in such a way that offers the best possible acoustics and views of the stage. The highly complex acoustic concept was developed in collaboration with Tateo Nakajima at Arup. The design of the amorphous plaster structures on the walls and the height-adjustable ceiling suspensions, based on the exact calculations of the specialist in acoustics, ensures for the optimal listening experience. The concert hall will be one of the quietest spaces for symphonic music in Europe, with a noise-level reduction of NR10 (GK10). Thanks to its architectural and acoustic quality, the concert hall is already well-booked: there will be concerts featuring the Royal Philharmonic Orchestra with violin soloist Arabella Steinbacher and the Danish National Radio Orchestra with soprano Mojca Erdmann in April.
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The foyer
The foyer serves as a meeting place for students, artists, teachers, and visitors. Five stories high with stairs, observation balconies, and large windows with views of the fjord, it is a lively, dynamic space that can be used for a wide variety of activities.
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For Wolf D. Prix, the "House of Music" is a symbol of the unity between music and architecture: "Music is the art of striking a chord in people directly. Like the body of musical instruments this architecture serves as a resonance body for the creativity in the House of Music."
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The energy concept
Instead of fans, the foyer uses the natural thermal buoyancy in the large vertical space for ventilation. Water-filled hypocaust pipes in the concrete floor slab are used for cooling in summer and heating in winter. The concrete walls around the concert hall act as an additional storage capacity for thermal energy. The fjord is also used for cost-free cooling.The piping and air vents are equipped with highly efficient rotating heat exchangers. Very efficient ventilation systems with low air velocities are attached under the seats in the concert hall.Air is extracted through a ceiling grid above the lighting system so that any heat produced does not cause a rise in the temperature in the room.The building is equipped with a building management program that controls the equipment in the building and ensures that no system is active when there is no need for it. In this way, energy consumption is minimized.
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圖片說明：剖面圖；圖片提供／Coop Himmelb(l)au

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圖片說明：一樓平面圖；圖片提供／Coop Himmelb(l)au

【More Information】
Sturgess Architecture
www.sturgessarchitecture.com

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http://www.xinmedia.com/n/featurestory_list.aspx?collectionid=111

More architecture works abroad, here you go 【International】　https://solomo.xinmedia.com/archi/news/International

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Profile
Andre

A male Aries, loves learning new things and being nostalgic to old things. Academic background: Bachelor of Construction Engineering Department at National YunTech University, Taiwan and Diploma of Graduate School of Business and Economics at University of Melbourne. With character of a little introvert, addicting to architecture, photography, tennis, Jazz music and saxophone and being the translator of Xin Architecture/ International, reporter, holder of activities and international tour leader.
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